CREDITS

All the line drawings in this book were prepared by Silvia Capurro, to whom very special thanks are due. The Martin Mystère comics in the prologue and on p. 134 were reproduced with the permission of SAF and Sergio Bonelli (Copyright © 2009 Sergio Bonelli Editore, drawings by Lucio Filippucci), who stress that their “hypothesis is fictional and not factual.” The photo on p. 32 was reproduced courtesy of Barbara Piqué and Erasmo Recami. Ettore’s photo on p. 40 was reproduced by permission of Fabio Majorana and Erasmo Recami. The Boys photo on p. 56 originates from the Archivio Amaldi, Dipartimento di Fisica, Università La Sapienza, Roma. The documents on pp. 59 and 128 were reproduced by permission of Domus Galilaeana, and belong to the Ettore Majorana archives “Documenti Vari” and “Quaderni.” Figure 9.3 is due to NASA/JPL. The positron photo on p. 130 is by Carl D. Anderson, and was first published in Physical Review 43, p. 491. Figure 13.1 is the work of “MissMJ.” The photo on p. 166 was taken for the Muzej Revolucije Naradnosti Jugoslavije. The documents on pp. 183 and 198 were reproduced with permission (ref. 810/09) from the Italian Archivio Centrale dello Stato, and are safely filed under “Ministero della pubblica istruzione, dir. gen. Istruzione superiore, fascicoli del personale, sec. vers. sec. serie, b. 93,” and “Ministero dell’interno, dir. gen. Pubblica sicurezza, div. Affari generali e riservati 1939 A1, b. 51.” Ettore’s photo on p. 184 was reproduced with the kind permission of Ettore Majorana Jr. Signore Lípari’s photo on p. 243 was reproduced with the permission of the photographer Nino Giamidaro and Libridine Editors, and forms the cover of the book “Tommaso L’omu Cani” by Ignazio Bascone, Libridine 2009. The comics on p. 247 were reproduced with the permission of the author, Ade Capone (Copyright © 2009 Ade Capone & Edizioni Star Comics). The photo on p. 264 was reproduced with the congenial permission of Manuela Campanelli and Carlos Loustò. We are grateful to Ettore Majorana Jr. for his cooperation in the reproduction of Ettore’s letters.